You’re back on Purified Records with ‘Time’, closing out the latest Fragments compilation in style – how does it feel to return to the label, and what does this release mean to you personally?
I’m really excited to be back on Purified with this track. The label has been part of some big moments for me, like releasing my first EP, so returning feels a bit like coming home. On top of that, their constant support and belief in what I’m doing makes this release even more meaningful.
What first drew you into producing electronic music, and how has your sound evolved since you started?
I first discovered music during a really low point in my life as a teenager, when I was struggling with mental health for the first time. A friend got me into a festival by having me help out backstage, and the whole experience completely shifted my perspective. Seeing the crowd so emotional, connected, and lifted by the music gave me a feeling I’d never experienced before. From that moment, I knew I’d found my calling and wanted to make people feel the same way with my music.
The track blends emotive chords with pulsing basslines and energetic percussion. How did you build that balance between melody and momentum?
Funny enough, this track actually came together by accident. I was working on something with more of a techno feel and forgot to change the BPM in my DAW. As soon as I heard it back, I knew it had real potential—I remember thinking, “wow, this sounds like something Nora En Pure would play.” And sure enough, she’s been supporting it a lot, which makes the whole process even more special.
Nora En Pure has championed ‘Time’ in her sets around the world. What’s it like hearing your music connect with huge festival crowds?
Honestly, it’s hard to even put into words. What stands out to me is that she doesn’t have to play my track—she has an endless catalog of incredible music of her own—yet she still makes space to support the artists on her label. She truly connects with every track she plays, and she’s incredibly engaging with her artists. Having the chance to share genuine conversations with one of my idols is something I’ll always treasure, and I’m beyond appreciative of that support.
Looking back, what would you say has been your biggest “pinch me” moment in your career so far?
I’d say my biggest “pinch me” moments have come from performing live. There’s nothing like playing unreleased music for the very first time and watching a crowd connect with it in real time. That feeling of sharing something new and seeing people resonate with it—it’s hard to beat.
Purified Records is all about championing melodic, emotive, forward-thinking sounds. How does your style align with that vision?
For me, melody has always been at the heart of my music—especially when you can make it shine in a club setting. I think my last three tracks with Purified have really captured that balance, and they’ve also fit perfectly into my JNSN SELECTS live sets, which lean more low-key but still carry that strong melodic thread.
As a producer, what’s one piece of studio gear or software you can’t live without?
I absolutely love my Moog Subsequent 37. It’s not the easiest piece of gear to travel with—and I’d hate to risk breaking it—but in the studio it’s incredible for sparking ideas and shaping sounds.
When you’re crafting something for both emotional impact and club energy, how do you know when the track is “finished”?
For me, a track feels finished when I hit that point where I think, “there’s nothing else I can add here.” It’s more of a gut feeling—you just know it’s ready. And if I ever want to tweak it later for a club setting, I can always go back and make those edits, but the core of the track has to feel complete first.
What advice would you give to up-and-coming producers who want to develop their own unique sound?
My biggest advice is to do what feels right to you—don’t shape your sound around what you think others want. There’s always going to be a lot of noise out there and people who might not connect with your music, but that’s okay. Music is art, and when you stay true to yourself, the right listeners and community will find you.
What’s next for you after ‘Time’ – will your upcoming work follow a similar direction, or are you exploring something completely different?
I’m definitely leaning into some heavier sounds next, though nothing too over the top. I really want to explore that higher BPM range—around 127 to 130—for a while. On top of that, my team and I are putting together the next JNSN SELECTS live set, which we’ll be hosting in a really special location. I am very excited for you all to hear it.
