Wave Wave, please give us a quick introduction to who you are and why you make music.
I’m a 27-year-old music producer and DJ from Hamburg, Germany. I started producing hip-hop beats with friends at a very young age, around 15, so I’ve been making music for over 12 years now. After a few years in hip hop, I discovered electronic music and was fascinated by the idea that you could create a complete track that works in a club without needing vocals. Why do I make music? Throughout my life, I’ve started many things but never truly stuck with anything except music. It’s the one thing I’ve always loved. There’s something incredible about starting with a blank page and turning it into something that makes people move and dance.

Many producers talk about “finding their voice.” How did you arrive at the unique sonic identity you bring to your tracks today?
That has been and still is the hardest part of being an artist. At some point, you have to be brave and truly believe in yourself. There are many moments in the studio when I love an idea, but then I start to question it and think, maybe it should sound like this or that instead. In those moments, I have to stop myself and remind myself: this is my idea, and I love it. It doesn’t matter if someone else likes it what matters is that I do.Once you reach that point, making music becomes so much more fun, because you realize that anything is possible and everything is allowed.

In the age of social media and streaming, how do you make sure your artistry isn’t lost in the algorithm while still growing your fanbase?
In the age of social media and streaming, it’s easy to feel like you have to create for the algorithm instead of yourself. But for me, the most important thing is to stay honest with my sound and my ideas. I never want to make music just because it might perform well. I make music because I genuinely love it. I believe people can feel when something is real, and that’s what creates a deeper connection. Of course, social media is an important tool to reach new listeners and grow a fanbase, and I try to use it in a way that still feels authentic to me. I share my process, my thoughts, and the moments behind the music, not just the finished product. At the end of the day, trends and algorithms change all the time, but having your own identity and sound is what makes people stay. My focus is on creating music that represents who I am. The right audience will find it and when they do, the connection is much stronger and more meaningful.

You’ve played some huge stages from Pacha Ibiza to Parookaville Festival. How does performing inform your production, and vice versa?
Playing those stages has had a huge influence on the way I produce music. You begin to understand how small details, like the length of a break or the groove of a bassline can completely change the reaction on the dancefloor. I often test my tracks during my sets, then go back into the studio and adjust anything that didn’t feel right in the moment. You also learn how important it is to adapt to the energy of each venue. For example, when playing at Pacha, you usually play a bit less hard than you would on a bigger open air stage. It’s more about groove and flow. At the same time, I always try to stay true to my own sound, no matter where I play.

Talk to us about your debut EP Feel The Pressure. What is the inspiration behind this project?
The inspiration behind the Feel The Pressure EP was to create a two-track bundle designed specifically for peak-time moments in the club. I wanted to have records that I could rely on when the energy in the room is at its highest and the crowd is fully locked in. These tracks represent the harder edge of my sound and are the most intense records I play in my sets. At the same time, it was very important to me that they still maintain groove and flow. Especially Feel The Pressure, which has a strong driving energy but keeps that hypnotic feeling that allows people to stay completely immersed in the moment.

What drew you to collaborate with Dark Roast Records on the release?
To be honest, they reached out to me team – especially nowadays when there are tones or artists sending their music to the same labels its always special when a label reach out to you. So they really showed interest and know your sound and vision. For this release, it wasn’t just about putting the tracks out it was about making sure they reached the right DJs and found their way into clubs and onto dancefloors around the world.

How do you decide when a track is “done”? Do you follow intuition, technical rules, or a bit of both?
It’s definitely a bit of both, but I would say it’s about 80/20. When a track feels right, even if the mix isn’t perfect yet it’s already about 80% finished. That initial feeling, the groove, and the emotion are the most important parts. If those elements are there, you know the track has real potential. At the same time, reaching that final level requires focusing on the technical details. The last 20% is about refining the mix, balancing the elements properly, and making sure everything translates well, especially in a club environment. A track might feel great creatively, but without the right technical quality, it won’t have the same impact on a big sound system. That’s why it’s important to step back, focus on the details, and make sure the track sounds as powerful and clean as possible.

Looking beyond this EP, what’s next for Wave Wave? Are there any collaborations, live ventures, or sonic territories you’re eager to explore?
There’s a lot planned for this year, and I’m really excited about what’s coming. After Miami Music Week, I’ll be heading back to the US for some shows, which I’m especially looking forward to. I love playing there because the crowds have such a strong connection to the music I play, and the energy on the dancefloor is always incredible. In general there is a lot of unreleased music coming out soon.
There’s also something I’ve been working on for over a year now, and I’m very excited to finally share it. It’s been a long process with a lot of thought and dedication behind it.

Which fellow DJs/producers are you loving right now?
Fellow Dj I would say Ugo Banchi love his sound at the moment. But also of course my friend GENESI is doing such a great job at the moment and I love his releases.

Finally, if a new listener only had one track to get a sense of Wave Wave’s world, which would it be and why?
Choosing just one track is difficult, so if I can pick two, I would say The Groover and Sound Vibrate. I love how The Groover builds throughout the track it develops in such a natural way and always works perfectly in my sets. It creates this steady momentum that really connects with the crowd. Sound Vibrate, on the other hand, has a very hypnotic atmosphere while still carrying a strong, driving energy. It pulls people in and keeps them locked into the groove, which is something I really value in my sets. Both tracks represent different aspects of my sound, but they each create a powerful moment on the dancefloor.