Congrats on the release of your new single ‘Obscurite’. What’s the story behind the title?
The title ‘Obscurite’ comes from the French word for “darkness” or “obscurity,” which perfectly captures the track’s atmosphere. It’s about embracing the unknown and finding beauty in shadows, much like a post-apocalyptic world where ruin and hope live side by side.
How do you know when a track is ready to release, especially under your own label?
A track feels ready when the vision is fully realized—sonically, emotionally, and in terms of energy. I test it in live sets and if it connects with people and resonates with the theme I intended, then I know it’s time. Having my own label gives me the freedom to decide based on intuition rather than deadlines. Basically, when it stops haunting my dreams at 3 AM, I know it’s good to go.
Has your approach to music changed since launching GITA Recordings?
Absolutely. GITA has allowed me to express myself in the most honest way possible. From the sonic identity to the visual direction and press plan, everything now aligns with a holistic artistic vision rather than just being about the music alone. Also, I finally stopped arguing with imaginary label execs in my head. Now I just argue with myself, but with better lighting.
What was the biggest challenge you faced while putting this single together?
Balancing gritty, raw textures with moments of melody and space was key—I wanted the track to feel both hypnotic and emotionally resonant. Achieving that required careful sound design and, more importantly, restraint.
Like many, I’ve faced my share of challenges. What’s helped me is learning to step back—whether it’s heeding advice from my parents, mentors, or partner, or simply approaching the problem like I would a sport: breaking it down into smaller, manageable parts and finding motivation in each win. Ultimately, the strength of your team and the clarity of your vision determine the final outcome. You might be able to complete a task on your own, but working together allows you to truly conquer it—saving time, sharing insights, and celebrating each individual’s contribution.
Do you usually test out unreleased tracks during your DJ sets before dropping them officially?
Yes, I do. The energy and response of a live crowd often tells you more than endless hours in the studio. It’s a vital part of the process for me.Plus, it’s the only way to know if that breakdown actually works—or just causes people to run to the bar.
What’s something new you learned in the process of making ‘Obscurite’?
To let go of perfectionism and allow rawness to shine. Sometimes imperfections in texture or rhythm add more emotion and character than over-polished sounds.
How do you balance being both an artist and a label owner?
It’s all about structure and boundaries. I treat studio time as sacred, while label operations are scheduled separately. It’s definitely a challenge, but both roles feed into each other creatively and strategically. Being an artist and a label owner is like being a DJ at a party you’re throwing—except you’re also the one cleaning up the confetti after everyone leaves!
What’s been the most surprising part of your journey so far in the electronic scene?
How globally connected and supportive the scene is. You never know who your music might touch or where it might travel. That sense of connection across cultures and borders is incredibly inspiring.
Are there any collaborators or vocalists you’d like to work with in the near future?
Karan Aujla, Anyma, Lorde, Sunidhi Chauhan & ODD MOBB
If someone’s never heard of DNKLE before, which track would you play them first — and why?
‘Obscurite,’ without a doubt. It encapsulates my current sound—raw yet atmospheric, danceable but deeply emotional. It’s a perfect entry point into the DNKLE world.
What are some of your goals for 2025?
To expand the GITA Recordings roster, play more international shows, and explore multi-disciplinary collaborations that combine sound with visuals, fashion, and architecture. I also plan to sleep more than 4 hours a night—ambitious, I know. Dream big, right?
